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Lesley Douglas too busy

 
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howard66



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PostPosted: Fri Jan 26, 2007 6:28 pm    Post subject: Lesley Douglas too busy Reply with quote

Am I the only one who is shocked by Lesley Douglas telling FEEDBACK that she is too busy to go on the programme and defend her decision to axe YOUR HUNDRED BEST TUNEs.
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Barkingbiker



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PostPosted: Fri Jan 26, 2007 6:47 pm    Post subject: Reply with quote

I am afraid I am neither shocked or even surprised by this Howard, its just par for the course; even though it is our BBC Evil or Very Mad
BB Twisted Evil
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Lady Boil De Spudswell



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PostPosted: Fri Jan 26, 2007 6:52 pm    Post subject: Reply with quote

No, you're not the only one Howard!

Too busy = Too scared/Not bothered what we think.

As spoken by me elsewhere here, HBT is being lost for what? Half an hour extra of Pick of the Pops and Melodies For You. Hardly essential evolutionary amendments to the schedule are they, and at the expense of a much loved 48 year old radio institution.

I can only hope a similar protest is instigated to the one which safely restored Benny Green and Alan Dell back to Sunday afternoons. People power can sometimes work. Russell Davies at 9pm is just not right for that slot. I for one will be listening to one of my many archive recordings of HBT at that time I'm afraid.
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Cherskiy



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PostPosted: Fri Jan 26, 2007 7:18 pm    Post subject: Reply with quote

As I've indicated before, I didn't listen to YHBT but read the debate on here with interest, and tuned into the last programme for the same reason. So when Feedback brought the subject up, I listened to that as well.

Lesley Douglas didn't have "time in her schedule" to be interviewed. One wonders what she does all week, apart from think of what to change next?

Management saw an "opportunity to bring together the best elements" from MFY and YHBT - in Birtspeak, "opportunity" usually means taking away something and spinning things to suggest listeners are getting more choice, rather than less. In response to why POTP was given an extra 30 minutes, the manager R2 mentioned that POTP had been taken off the air for 2 years, only to be brought back after there had been a steady stream of letters of complaint. Will the same happen if a similar letter-writing campaign starts? I doubt it, now that they've got a celebrity in place.

"We have a relationship with our audience every day." Really. If that were so, and they took notice of what their listenership thought, I would seriously doubt that RB would have a two-hour show on R2 today. If anything, the relationship is one-way for the most part.

Forums like this one usually represent the most vocal section of an audience or fan base, with a varied cross-section of views, for and against. Whilst that's not entirely scientific, nor completely 100% representative, it is composed of people who for whatever reason *love* R2 and want to see it performing its best. I suspect if any of our views were taken into consideration re this or a few of the other recent changes at R2, the network line-up would look considerably different than it does now.
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Chatelaine



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PostPosted: Fri Jan 26, 2007 10:06 pm    Post subject: Reply with quote

Nothing that woman does surprises me anymore.
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H



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PostPosted: Sat Jan 27, 2007 6:46 am    Post subject: Reply with quote

I agree with you Chatelaine.

After what happened last March nothing surprises me any more. I am just very sad that YHBT was taken off just two years short of its 50th anniversary which would have been a great cause for celebration.

John H
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gfloyd



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PostPosted: Sat Jan 27, 2007 9:15 am    Post subject: Reply with quote

I doubt there would have been a full and frank discusion anyway. Thee never is. Unfortunately the press seems to be the only place where this happens.

The fact that both Morley & Baker have just been going through the motions for some time needed to be raised as well. They may be music experts but they failed to transmit much enthusiasm to this listener anyway.

I think a very good point was touched on but not developed ie the ghettoisation of classical music ias purely a service to an older audience. If the BBC is moving away from this I would welcome it, but unfortunately that theme wasn't really developed.

As regards H's comments, programmes shouldn't just exist to notch up records. That's just time serving and is rather pointless.

PS I listened to both programmes, not every week, but frequently enough.
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Lord Evan Elpuss



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PostPosted: Sat Jan 27, 2007 9:47 am    Post subject: Reply with quote

Cherskiy wrote:

Lesley Douglas didn't have "time in her schedule" to be interviewed. One wonders what she does all week, apart from think of what to change next?

I should think she's planning what's next on her wrecking spree Rolling Eyes
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gfloyd



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PostPosted: Sat Jan 27, 2007 10:21 am    Post subject: Reply with quote

Some of these...........

" I'd didn't listen to the show, but................ "

posts are unintentionally hilarious.

If you didn't listen that is probably why the show is being taken off.
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John W



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PostPosted: Sat Jan 27, 2007 11:00 am    Post subject: Reply with quote

I was very disappointed with the Feedback responses from Dave Barber.

Yet again (as with the first Feedback that tackled the Evans complaints) Lesley can't be bothered - if she had ANY mind for planning her time she would have sat down 3 weeks ago and thought "I'll need to set aside half an hour for Feedback, they are bound to ask why I've axed Y100BT".

I don't agree with Barber that the drop in Y100BT listeners was sufficient justification to axe the show. It should have been justification to change the style or presenter of the show, not axe it.

I don't agree with Barber saying that the new 2hr Melodies For You will make up for the loss of Y100BT. He mentioned overlap of playlists, thought that was an excuse for axing Y100BT. Eh, what's wrong with overlapping playlists? Let's see now, Russel D's playlist overlaps with Parky's, oh and Elaine overlaps with MFY, which also overlaps with Desmond (Tuesday), which overlaps with David Jacobs. Oh, then lets just have ONE SHOW that plays the lot........... well for me Sunday WAS one great Radio 2 show, but now it's not so great.

No. Alan Titchmarsh's MFY will not cater for the Y100BT audience - many of the listeners loved the show because it was specifically light classical, and because it was on late in the evening. Now they are expected to listen in from 6.30pm when the kids and grandchildren are still running around the house and half the playlist will be Broadway and Gilbert & Sullivan which they likely don't enjoy so much.

Where is this 'relationship Radio 2 has with it's audience everyday' ? As Dave Barber put it. He suggests that the controller is responding to the audience. Eh, no. The controller does things and THEN she gets a response, and ignores it.


John W
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Cherskiy



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PostPosted: Sat Jan 27, 2007 11:30 am    Post subject: Reply with quote

gfloyd wrote:
Some of these...........

" I'd didn't listen to the show, but................ "

posts are unintentionally hilarious.

If you didn't listen that is probably why the show is being taken off.


Well, that applies to me, I suppose. It's not my style of music, I'll freely admit, which is the reason why I don't listen regularly (five minutes after 2100 each Sunday night doesn't count) - but I've always acknowledged that there's a place on R2 for music like this, and I'll stick up for anyone who wanted YHBT to continue.
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howard66



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PostPosted: Sat Jan 27, 2007 11:44 am    Post subject: Reply with quote

Do what I did; e mail the BBC and tell them if Dame Lesley can't be bothered to go on FEEDBACK, you haven't time to listen to her new Sunday night programmes.
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gfloyd



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PostPosted: Sat Jan 27, 2007 11:51 am    Post subject: Reply with quote

Well I know there is a lot of positive sentiment towards the show. Sentiment does have a place: if everything was reduced to cold hard logic life would be a lot less fun.

But consider this if you will. The music played by YHBT is enjoying a commercial renaissance right now. Yet in the same period YHBT audience manages to drop by 30%. So more people are buying the music and by corollary should be interested in a radio show featuring the music they are buying.

But to be blunt [and apologies in advance to anyone offended] these new converts to the music are NOT tuning to Radio 2's flagship classical show: YHBT.

Radio 2 made the mistake IMO of pitching YHBT as a programme for older listeners not as a service to classical music lovers.

Why categorise music as "old" or " young"? If Radio 2 is moving away from that stark ageism I certainly welcome it.
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Mark Mayhew



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PostPosted: Sat Jan 27, 2007 12:31 pm    Post subject: Reply with quote

Lesley Douglas should hang her head in shame-too busy doing what exactly.

She should face the public or if she cannot be bothered she should be replaced by someone else who is.
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John W



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PostPosted: Sat Jan 27, 2007 1:12 pm    Post subject: Reply with quote

ern,

gfloyd wrote:

But to be blunt [and apologies in advance to anyone offended] these new converts to the music are NOT tuning to Radio 2's flagship classical show: YHBT.


I accept that, but thousands of people can't afford to buy classical CDs and don't like CFM's style. Y100BT was just right for many.


gfloyd wrote:
Radio 2 made the mistake IMO of pitching YHBT as a programme for older listeners not as a service to classical music lovers.


Well it served me as THE classical music show when I was younger, before I got into R3 and going to concerts etc, and although I now have about 50% of Y100BT playlists on CD or vinyl I still listened regularly, particulary to hear that other 50%.


gfloyd wrote:
Why categorise music as "old" or " young"? If Radio 2 is moving away from that stark ageism I certainly welcome it.


That might be helped by Titchmarsh but I would have preferred a classical only show.

Too many classical fans will switch off when Titchmarsh plays something from 'South Pacific' or 'Pirates of Penzance', and then later on Russel Davies is likely to play something from 'South Pacific' or 'Pirates of Penzance'....... there's no evidence that the Sunday show producers discuss playlists and I can guarantee there is going to be even more 'overlap' (as Dave Barber put it) and the Sunday 'playlist' will shrink; we might never hear a violin concerto on Radio 2 ever again.

John W
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Ian Robinson
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PostPosted: Sat Jan 27, 2007 2:37 pm    Post subject: Reply with quote

After Dave Barber's comments, if we all write enough letters do you think we could get Ed Stewart back? One of the best shows on Radio 2 for having a "relationship with it's listeners" and a damn sight better than Johnnie Walker (even for a 'youngster' like me...)
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Lady Boil De Spudswell



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PostPosted: Sat Jan 27, 2007 3:01 pm    Post subject: Reply with quote

John W wrote:
I was very disappointed with the Feedback responses from Dave Barber.

Yet again (as with the first Feedback that tackled the Evans complaints) Lesley can't be bothered - if she had ANY mind for planning her time she would have sat down 3 weeks ago and thought "I'll need to set aside half an hour for Feedback, they are bound to ask why I've axed Y100BT".

I don't agree with Barber that the drop in Y100BT listeners was sufficient justification to axe the show. It should have been justification to change the style or presenter of the show, not axe it.

I don't agree with Barber saying that the new 2hr Melodies For You will make up for the loss of Y100BT. He mentioned overlap of playlists, thought that was an excuse for axing Y100BT. Eh, what's wrong with overlapping playlists? Let's see now, Russel D's playlist overlaps with Parky's, oh and Elaine overlaps with MFY, which also overlaps with Desmond (Tuesday), which overlaps with David Jacobs. Oh, then lets just have ONE SHOW that plays the lot........... well for me Sunday WAS one great Radio 2 show, but now it's not so great.

No. Alan Titchmarsh's MFY will not cater for the Y100BT audience - many of the listeners loved the show because it was specifically light classical, and because it was on late in the evening. Now they are expected to listen in from 6.30pm when the kids and grandchildren are still running around the house and half the playlist will be Broadway and Gilbert & Sullivan which they likely don't enjoy so much.

Where is this 'relationship Radio 2 has with it's audience everyday' ? As Dave Barber put it. He suggests that the controller is responding to the audience. Eh, no. The controller does things and THEN she gets a response, and ignores it.


John W


Great post John. Particularly to the reference of when the show was actually on. It perfectly and sublimely suited the mood created by MFY and Sunday Half Hour before it. Now we're going to have this awful gear change at 9pm back to standards and the like. It works at 10pm going into Laycock, but not on the back of Sunday Half Hour when I for one revel in a little more time for quiet, soothing, cultured reflection. The like of which YHBT and Baker R. dispensed so well.

Don't get me wrong. I'm looking forward to Titchmarsh's offerings, but as you say, it's on a little too early for the same sort of quiet reflection. There may be a little overlap here and there with the music, but no more than many other shows.

To my mind YHBT offered something complimentary, yet different to MFY.

It's perhaps fair to say that one reason why YHBT listenership was falling was due to Radio Grim Reaper. However, if more publicity was given to the programme there might have been more chance of other 30 somethings like me finding it and enjoying it. Furthermore, it probably got as many, if not more than a lot of R3 classical music programmes, but in any case is a small-ish audience a good enough reason to axe a programme which provides a loyal public service? A programme of Peruvian Nose Flute music may only get three listeners, but doesn't the BBC have a duty to provide an outlet for same?

I don't suppose there's any way of someone sending this thread to Douglas is there? It's all very intelligently argued.... Not that it'll do any good I'm sure!
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Natasha
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PostPosted: Sat Jan 27, 2007 3:22 pm    Post subject: Reply with quote

Sent or not, it wont make a tad of difference, Lady. 'Management' don't even listen to the views of their presenters in private meetings, so there's not a chance they would listen to us 'punters'
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Ian Robinson
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PostPosted: Sat Jan 27, 2007 4:06 pm    Post subject: Reply with quote

Natasha wrote:
'Management' don't even listen to the views of their presenters in private meetings, so there's not a chance they would listen to us 'punters'

What's that a reference to?
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Lord Evan Elpuss



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PostPosted: Sat Jan 27, 2007 4:25 pm    Post subject: Reply with quote

gfloyd wrote:
Some of these...........

" I'd didn't listen to the show, but................ "

posts are unintentionally hilarious.

If you didn't listen that is probably why the show is being taken off.

I don't listen to Steve Wright, Chris Evans, Jonathan Ross or Russell Brand. No sign of them being taken off yet. Sad
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Cherskiy



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PostPosted: Sat Jan 27, 2007 4:38 pm    Post subject: Reply with quote

Natasha wrote:
Sent or not, it wont make a tad of difference, Lady. 'Management' don't even listen to the views of their presenters in private meetings, so there's not a chance they would listen to us 'punters'


They keep referring to consultation with the public - how is it I don't know anyone (or even anyone who knows of anyone else) who has been 'consulted' about such things. Does LD just ask her family or something? Rolling Eyes

Lord Evan Elpuss wrote:
gfloyd wrote:
Some of these...........

" I'd didn't listen to the show, but................ " posts are unintentionally hilarious. If you didn't listen that is probably why the show is being taken off.

I don't listen to Steve Wright, Chris Evans, Jonathan Ross or Russell Brand. No sign of them being taken off yet. Sad


Likewise, but there are obvious exceptions to the 'if few people listen, we'll pull the show' rule, aren't there? RB is probably a case in point - I'd be very interested to see the audience figures for his show compared to what they were beforehand.
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gfloyd



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PostPosted: Sat Jan 27, 2007 4:42 pm    Post subject: Reply with quote

Hi,

Some good points made today by John W and Lady B.

I would agree with John W that the music played by Alan will not replace the loss of a dedicated classical show.

Radio 2 is rather generous to musicals fans at the moment (I wonder why??) with the daily showtune, Elaine Paige, Russell Davies, MFY and David Jacobs all featuring this genre to some extent. If streamlining was called for that is where I would start. Paige (irrespective of her presenting ability) is playing a mishmash of TV & Film soundtracks plus musicals. You are as likely to hear "Berlin - Take My Breath Away" from "Top Gun" as you are to hear anything from a stage show. I never really understood what drove the selection of music for this show.

I do think the BBC (if it is to provide something for everyone) needs a dedicated light classical show 52 weeks a year in a fixed slot. Where that is in the week, I dont care too much.

Lady B's point re the non-promotion of YHBT is valid as well. I dont know whose fault that was: maybe the BBC was a bit embarrassed by the date presentational style & the fact that Baker came across as rather brisk and cold. The show needed to make people aware it existed. I would cite FNIMN as an example to follow. By using Gambo, Aled & even Richard Allinson they have raised the shows profile. Getting it mentioned on things like Drivetime ocassionally helps too. My feeling is that the Dawn Patrol should be used to promote these programmes. If Radio 2 had a decent afternoon show that could be used as a base to promote specialist shows as well. All they have to do is play a short excerpt from something featured or get the presenter into studio for 5 - 10 minutes to make people aware of the shows existence.
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John W



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PostPosted: Sat Jan 27, 2007 6:11 pm    Post subject: Reply with quote

Lady,

I'm really sorry I posted a reply to you but clicked the moderator's 'edit' button instead of the 'quote' button and inadvertantly replaced your posting. I think it's gone forever Sad

This is what I was posting:

ern,

gfloyd wrote:
I would agree with John W that the music played by Alan will not replace the loss of a dedicated classical show.

Radio 2 is rather generous to musicals fans at the moment (I wonder why??) with the daily showtune, Elaine Paige, Russell Davies, MFY and David Jacobs all featuring this genre to some extent. If streamlining was called for that is where I would start.


I agree with you there ern. I think room could have been made for a light classical hour.

gfloyd wrote:
I do think the BBC (if it is to provide something for everyone) needs a dedicated light classical show 52 weeks a year in a fixed slot. Where that is in the week, I dont care too much.


Yes. When Desmond moved to Tuesday I wondered if I would ever remember to listen to his show. I do listen now more often than I did on Sunday, and use Listen Again occasionally, so yes let's have a light programme anytome. I would have liked Brian Kay to have been brought in.

gfloyd wrote:
maybe the BBC was a bit embarrassed by the date presentational style & the fact that Baker came across as rather brisk and cold.


I thought Richard's style was OK, he always brought in one or two of his own memories.

And I wonder also, with Lady and ern, why the evening shows aren't promoted more.

Lady,
Quote:
Pity no-one at R2 will see this debate. Doubt any of 'em know about the existence of this excellent site, let alone have a look occasionally.


Well, we know at least Chris-Host at R2MB looks in on this group since he recommended it last week, but whether anyone at R2 ctually would take any notice of 100 or so listeners on here is another matter.

John W
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Lady Boil De Spudswell



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PostPosted: Sat Jan 27, 2007 6:41 pm    Post subject: Reply with quote

John W wrote:
Lady,

I'm really sorry I posted a reply to you but clicked the moderator's 'edit' button instead of the 'quote' button and inadvertantly replaced your posting. I think it's gone forever Sad

John W


That's ok, John I forgive you. My main point was concerning the reference that Baker (R)'s style was perhaps too formal/brisk.

Personally I never wanted YHBT to be another 'chummy' hey, I'm just like you aren't I? show.

Titchmarsh's show will be quite chummy, and that's fine and furthermore would have complimented Baker's slightly more formal approach perfectly IMHO. Baker provided a wonderful oasis of well-spoken class. It felt different to all this tv chummery approach and for that, hats-off to R2 for allowing it to stay that way for so long.

Re: EP. I think the inclusion of stuff like 'Take My Breath Away' is entirely intentional to stop those who 'don't do show tunes' from tuning out when they then hear a slightly more obscure one.

Unfortunately much of the movie stuff is therefore by definition often populist, well-worn, tired, overplayed, soft rock, compilation album, Steve Wright love ballad fodder... that just happened to be shoe-horned into a film!
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